North Sumatra, Batak, Tanpa bunga

North Sumatra, Batak, Tanpa bunga

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DANCING WITHOUT INTEREST
Bungajambu dance usually danced at weddings Batak Toba . They call tortor dance always performed well at every ceremony like want any grief . Bungajambu dance held overseas , where the family came from the Batak Toba mountains migrated to Jakarta .
What is the meaning tortor bungajambu was actually difficult to provide a definitive definition . Because it involves the connotative and denotative meaning . In a way , what’s the name taken for granted . Because that meant yes like that . Rather rarely questioned wrapping problem because the substance yes of substance . Batak people often accept the substance as ” pink bud ” so that became the flowers are just flowers . Vibrant pink flowers that look like a party in its season – marching procession . Because it is cultivated lively .
Dancers bungajambu not subject a party but as an addition to the merry party or interest . Subject of course the party who organized the party . But with the help of dance made ​​that there are many people who are the subject , in addition to the main subject semarga vertical with her family . Among them , the horizontal family based clan wife . In fact , starting from the horizontal family grandmother ; mother ; wife , and son- or clan besannya . Because it tortor be very functional to connect two types of dance . Semarga vertical dance organizers appealed to the shape of the hand – urge the group welcomed semarga horizontal dancing with two hands to fanning . People who are at the front is the leader. Usually diiringkan by family , relatives , and siblings . Bungajambu dancers welcome and mengiringkannya duty towards the arena where the party organizers gave a speech . So dance is a dance performed bungajambu – procession marched hand in hand along the sides greeted the arena until all are received .
The dancers who brought the dance bungajambu , Dina , Jackie , Linda , Ghea , and Wiga . Given the name and face and cuts , it seems only a two Batak people , or nobody .
There are also musical instruments to accompany tortor often called gondang alone . Gondang or drum become tambour designation because often the leader of the sounds . Is the usual accompaniment of drums , odap ; sarune , and ogung .
Dance movements into 2 groups are shown dancing is very simple . Like the statue moved . Kaku . Legs as the pedestal , moving slowly . Board should not have considered snaking kenes . All the sounds are guided entirely realized with hand gestures . Books into the hands of the marker movement . As a greeter who showed motion as that greeted worship and make the reverse motion .
Even though extremely simple motion bungajambu tortor can not be danced away. As a dance , moving supple fitting , but not so with bungajambu tortor . Dominated tortor dance gestures . Rhythm gestures legs are pressed together. There should not be made ​​wide footwork or to jump . Gondang footwork according to the rhythmic cadence . Or showing prudery . Eye , face attempted straight , with a straight face . Similarly, neck , waist and hips .
Tabu Toba Batak people are being affected . Flirtatious . It is very avoidable if you do not want to be humbled . Dicibirkan for when implementing indigenous Batak people are very sad . Often say that they still receive less religious . Needless to say not so well-mannered . As if life and death , yes custom ! There are also other basic forgiveness , ie if deemed not know . But do not be repeated . Hence the reason a custom implementation in overseas gives great opportunities that mistake accepted gracefully . Moreover, both do not know anyway .
When the dancing hands should not be raised over his head . Should only be limited to the ears only. In this case there was not a rule , but taboo for granted .
Fixed rule is to wear Ulos dancing . Ulos is one type of weaving that has the color and image of Batak . Ulos wearing party organizers who only he may wear it in the party arena . Ulos motif pattern that becomes a party to give a measure of success of the Batak Toba . The limits to be achieved by specific limitations .

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